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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
16
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
16
Lupton, Thomas Goff, 1791–1873
5
Reynolds, Samuel William, 1773–1835
4
Dawe, Henry E., 1790–1848
2
Say, William, 1768–1834
1
Date
1812
36
1811
34
1808
25
1813
23
1816
23
1819
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16
1807
12
1809
10
1815
2
1818
2
1814
1
1858
1
1860
1
1864
1
On-site Access
Accessible by appointment in the Study Room
16
Image Use
Free to Use
16
Image Available
Available
16
Classification
Prints
16
Creator Gender
male
16
Collective Title
Liber Studiorum
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16
Period
19th century
16
Materials & Techniques
brown ink
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16
etching (printing process)
16
mezzotint
15
laid paper
14
wove paper
2
graphite
1
Height [cm]
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29
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45
Work Type
intaglio print
16
Genre
landscape
13
architectural subject
7
religious and mythological subject
4
genre subject
3
literary theme
2
figure study
1
Subject Terms
religious and mythological subject
3
tree
3
landscape
2
nymph
2
sunlight
2
water well
2
woman
2
Aesacus is changed into a diving bird while pursuing the nymph Hesperia (or Asterope), who is bitten by a snake
1
Bible
1
Christ explaining his doctrine to women and children
1
Metamorphoses
1
New Testament
1
arch
1
archways
1
branches
1
building
1
bush
1
city
1
cityscape
1
figure study
1
more
Subject Terms
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Associated Places
Asia
1
Israel
1
Samaria
1
Associated People
Aesacus
2
Hesperie
2
Christ
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
16
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Materials & Techniques
brown ink
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Date
1819
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Collective Title
Liber Studiorum
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1
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
2
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
3
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
4
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
5
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
6
Print made by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
7
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
8
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
9
Print made by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
10
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
11
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
12
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
13
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
14
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
15
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
16
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819