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Collection
Prints and Drawings
5
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
5
Lupton, Thomas Goff, 1791–1873
2
Dawe, Henry E., 1790–1848
1
Reynolds, Samuel William, 1773–1835
1
Say, William, 1768–1834
1
Date
1758
14
1812
10
1851
10
1771
8
1816
7
1811
5
1819
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1775
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1745
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1777
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1807
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1809
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1843
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1850
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1857
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1874
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1879
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1896
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1920
1
On-site Access
Accessible in the Study Room
5
Image Use
Free to Use
5
Image Available
Available
5
Classification
Prints
5
Creator Gender
male
5
Collective Title
Liber Studiorum
4
Period
19th century
5
Materials & Techniques
brown ink
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5
etching (printing process)
5
laid paper
5
mezzotint
5
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41
Work Type
intaglio print
5
Genre
landscape
5
architectural subject
3
genre subject
1
Exhibition History
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
5
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Materials & Techniques
brown ink
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Date
1819
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41
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1
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
2
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
3
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
4
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
5
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819