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Collection
Prints and Drawings
63
Creator
Smirke the Younger, Robert, Sir, 1781–1867
51
Boydell, John, 1720–1804
2
Boydell, Josiah, 1752–1817
2
Earlom, Richard, 1743–1822
2
Hook, James, ca. 1772–1828
2
Howitt, Samuel, 1756–1822
2
Lorrain, Claude, 1600–1682
2
Annesley, Charles Rev., 1787–1863
1
Etty, William, 1787–1849
1
Frankland, Robert Baronet, 1784–1849
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Varley, Cornelius, 1781–1873
1
Weld, Isaac, 1774–1856
1
Date
1867
290
1771
205
1772
152
1800
142
1749
133
1773
133
1832
110
1745
96
1804
93
1758
76
1846
71
1775
66
1787
64
1802
[remove]
63
1812
63
1784
56
1738
52
1785
51
1790
51
1817
51
1748
46
1700
45
1841
45
1813
43
1818
43
1896
43
1786
42
1811
42
1768
40
1789
40
1825
40
1770
39
1820
39
1827
39
1819
38
1826
38
1816
36
1717
35
1834
32
1795
31
1810
31
1807
30
1808
30
1765
29
1821
29
1814
28
1815
28
1762
27
1777
27
1836
27
1805
26
1848
26
1755
25
1830
25
1835
25
1837
25
1780
24
1791
22
1793
22
1801
22
1809
22
1792
21
1799
21
1833
21
1797
20
1690
19
1760
19
1847
19
1796
18
1798
18
1828
18
1839
18
1740
17
1779
17
1781
17
1794
17
1851
17
0
16
1752
16
1823
16
1806
15
1822
15
1838
15
1782
14
1783
14
1855
14
1875
14
1761
13
1774
13
1829
13
1712
12
1723
12
1747
12
1843
12
1866
12
1759
11
1766
11
1803
11
1840
11
1849
11
On-site Access
Accessible by appointment in the Study Room
63
Image Use
Free to Use
63
Image Available
Available
63
Classification
Drawings & Watercolors
61
Prints
2
Creator Gender
male
63
Collective Title
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
51
Liber Veritatis
2
Period
19th century
63
Materials & Techniques
brown ink
[remove]
63
pen
57
graphite
55
wove paper
49
brown wash
24
watercolor
14
laid paper
13
black ink
4
gray ink
3
gray wash
3
etching (printing process)
2
aquatint
1
mezzotint
1
scraping out
1
Height [cm]
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Current results range from
11
to
91
Width [cm]
Width [cm] range begin
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Current results range from
7
to
129
Work Type
drawing
61
watercolor
39
intaglio print
2
Genre
architectural subject
48
landscape
5
literary theme
3
animal art
2
figure study
2
genre subject
2
historical subject
2
marine art
2
religious and mythological subject
2
cityscape
1
Subject Terms
landscape
3
man
3
men
3
trees
3
Regency
2
animal art
2
architectural subject
2
cane
2
cattle
2
chiton
2
dress
2
mountains
2
religious and mythological subject
2
woman
2
women
2
Grand Tour
1
Greek mythology
1
Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water
1
Nature
1
Vulcan in his smithy
1
more
Subject Terms
»
Associated Places
United Kingdom
2
Wales
2
Aberystwyth
1
Caernarfon
1
Caernarfonshire and Merionethshire
1
Cardiganshire
1
Carnarvon Castle
1
Cymru
1
Europe
1
France
1
Geneva
1
Geneva, Lake
1
Italy
1
Kerry
1
Killarney
1
Menai Strait
1
Mont Blanc
1
Venice
1
Associated People
Europa
1
Mercury
1
Vulcan
1
Zeus
1
Exhibition History
J.M.W. Turner, R.A.: The Great Watercolors (Royal Academy of Arts, 2000-12-02 - 2001-02-18)
1
Magnificent Switzerland (Fondazione Thyssen-Bornemisza, 1991-08-01 - 1991-10-31)
1
Magnificent Switzerland (Museum of Art and History, Geneva, 1991-11-12 - 1992-02-02)
1
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Ruskin - Past: Present: Future (Yale Center for British Art, 2000-01-20 - 2000-02-27)
1
Turner Inspired - In the Light of Claude (The National Gallery, London, 2012-03-14 - 2012-06-05)
1
Unto This Last (Watts Gallery) (Watts Gallery Trust, 2020-03-10 - 2020-11-01)
1
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
59
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
2
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
1
Yale Center for British Art, Paul Mellon Fund
1
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1
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mount Blanc
1802 to 1805
2
Print made by Richard Earlom, 1743–1822
Vulcan's Forge
1802
3
Print made by Richard Earlom, 1743–1822
A Landscape, with the Story of Europa
1802
4
Cornelius Varley, 1781–1873
Carnarvon Castle
1802
5
Sir Robert Smirke the younger, 1781–1867
Sir Robert Smirke's Continental Tour
1802-1804
6
Sir Robert Smirke the younger, 1781–1867
Study of a Prison in Venice
1802-1804
7
Sir Robert Smirke the younger, 1781–1867
Palazzo di Vicenza
1802-1804
8
Sir Robert Smirke the younger, 1781–1867
Palazzo Thiene Bonin Longare
1802-1804
9
Sir Robert Smirke the younger, 1781–1867
A Villa Near Potsdam
1802-1804
10
Sir Robert Smirke the younger, 1781–1867
Jungfern Bridge
1802-1804
11
Sir Robert Smirke the younger, 1781–1867
Sketch of an Entry Gate
1802-1804
12
Sir Robert Smirke the younger, 1781–1867
Study of a Stone Mausoleum
1802-1804
13
Sir Robert Smirke the younger, 1781–1867
The Fitting Up of the Medal Room in the Arsenal, Venice
1802-1804
14
Sir Robert Smirke the younger, 1781–1867
Top Portion of a Pillar
1802-1804
15
Sir Robert Smirke the younger, 1781–1867
Kalamata, Greece
1802-1804
16
Sir Robert Smirke the younger, 1781–1867
Capital of the Columns of the Temple of Minerva
1802-1804
17
Sir Robert Smirke the younger, 1781–1867
Under Moldings of the Cornice at the Temple of Minerva
1802-1804
18
Sir Robert Smirke the younger, 1781–1867
Part of the Molding at Temple of Minerva
1802-1804
19
Sir Robert Smirke the younger, 1781–1867
Part of the Molding at the Temple of Minerva
1802-1804
20
Sir Robert Smirke the younger, 1781–1867
Sketch of the Flutings of the Ionic Columns in the Interior of the Propylaea
1802-1804
21
Sir Robert Smirke the younger, 1781–1867
Sketch of the Molding of the Interior of the Propylaea
1802-1804
22
Sir Robert Smirke the younger, 1781–1867
The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
23
Sir Robert Smirke the younger, 1781–1867
Second Temple of Hera, in the Foreground, First Temple of Hera in the Background, at Paestum
1802-1804
24
Sir Robert Smirke the younger, 1781–1867
Temple of Concordia
1802-1804
25
Sir Robert Smirke the younger, 1781–1867
Ruins at Capua
1802-1804
26
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing
1802-1804
27
Sir Robert Smirke the younger, 1781–1867
Study of a Stone Wall
1802-1804
28
Sir Robert Smirke the younger, 1781–1867
Study of Figures and Busts on the Pediments of Temples
1802-1804
29
Sir Robert Smirke the younger, 1781–1867
Porch to a Private House in Padua
1802-1804
30
Sir Robert Smirke the younger, 1781–1867
Sketch of a Public Building
1802-1804
31
Sir Robert Smirke the younger, 1781–1867
Sketch of an Ornate Doorway, With Columns, and Sculpture
1802-1804
32
Sir Robert Smirke the younger, 1781–1867
A View of Genoa, Taken Near the Gate of St. Thomas
1802-1804
33
Sir Robert Smirke the younger, 1781–1867
Study of a Bridge
1802-1804
34
Sir Robert Smirke the younger, 1781–1867
Ancient Inscription in the Post House at Argos
1802-1804
35
Sir Robert Smirke the younger, 1781–1867
Ruins of Sparta
1802-1804
36
Sir Robert Smirke the younger, 1781–1867
Moldings on the Temple of Minerva
1802-1804
37
Sir Robert Smirke the younger, 1781–1867
Sketch of an Athenian's House
1802-1804
38
Sir Robert Smirke the younger, 1781–1867
Fragment of a Doric Cornice Among the Ruins of Eleusis
1802-1804
39
Sir Robert Smirke the younger, 1781–1867
Remains of the Temple of Aphaea, Island of Aigina
1802-1804
40
Sir Robert Smirke the younger, 1781–1867
Inscriptions in Greek Alphabet
1802-1804
41
Sir Robert Smirke the younger, 1781–1867
Temple of Concordia
1802-1804
42
Sir Robert Smirke the younger, 1781–1867
The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
43
Sir Robert Smirke the younger, 1781–1867
An Ancient Inscription in the Post House at Argos
1802-1804
44
Sir Robert Smirke the younger, 1781–1867
Ruins of Messenia Near Sparta
1802-1804
45
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
1802-1804
46
Sir Robert Smirke the younger, 1781–1867
Temple of Hephaestus
1802-1804
47
Sir Robert Smirke the younger, 1781–1867
Sketch of the Line of the Shaft and Inner Angle of the Abacus
1802-1804
48
Sir Robert Smirke the younger, 1781–1867
Gate of Posillipo - Naples
1802-1804
49
Sir Robert Smirke the younger, 1781–1867
Study of an Older Palace in Venice
1802-1804
50
Sir Robert Smirke the younger, 1781–1867
In Vicenza
1802-1804
51
Sir Robert Smirke the younger, 1781–1867
Gentleman's House in Padua
1802-1804
52
Sir Robert Smirke the younger, 1781–1867
Palace in Padua
1802-1804
53
Sir Robert Smirke the younger, 1781–1867
Ancient Inscription in the Walls of the Venetian Govenor's House, Mystras
1802-1804
54
Sir Robert Smirke the younger, 1781–1867
Sketches of Buildings in Vicenza
1802-1804
55
Sir Robert Smirke the younger, 1781–1867
Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
1802-1804
56
Attributed to William Etty, 1787–1849
Sheet of sketches
undated
57
Isaac Weld, 1774–1856
Dunloh Castle, Killarney, Ireland
ca. 1807
58
James Hook, ca. 1772–1828
A Regency Pair
1802
59
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
60
Samuel Howitt, 1756–1822
A Zebra
ca. 1807
61
Samuel Howitt, 1756–1822
Leopards at Play Among Fallen Trees and Rocks
ca. 1807
62
Rev. Charles Annesley, 1787–1863
The Devil's Bridge, Aberystwyth
undated
63
Robert, Frankland, baronet, 1784–1849
Caricature of Beau Nash
1802