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Collection
Prints and Drawings
92
Creator
Romney, George, 1734–1802
54
Johnson, Isaac, 1754–1835
13
Stothard, Thomas, 1755–1834
11
Flaxman, John, 1755–1826
5
Pollard, James, 1792–1867
4
Pollard, Robert, 1755–1838
4
Unknown artist
3
Blake, William, 1757–1827
1
Brown, Lancelot ('Capability'), 1716–1783
1
Greville, Louisa Augusta Lady, 1743–active 1762
1
Guercino, Giovanni Francesco Barbieri, 1591–1666
1
Hoare, Prince, 1755–1834
1
Jefferys, James, 1751–1784
1
Master, of the Giants, active 1779
1
Playfair, James, 1755–1794
1
Serres, Dominic, 1722–1793
1
Date
1867
290
1771
207
1772
153
1800
130
1832
103
1745
95
1804
93
1770
[remove]
92
1758
76
1775
76
1846
72
1812
65
1787
63
1802
63
1784
55
1738
52
1817
51
1790
50
1748
46
1785
45
1841
45
1813
43
1818
42
1768
41
1786
41
1811
41
1789
40
1765
39
1827
39
1700
37
1825
37
1826
37
1819
36
1717
35
1816
35
1808
31
1795
30
1807
30
1820
30
1834
30
1810
29
1821
29
1814
28
1762
27
1777
27
1815
27
1836
27
1755
26
1780
26
1793
26
1805
26
1848
26
1835
24
1837
24
1833
23
1801
22
1809
22
1760
21
1773
21
1791
21
1749
20
1792
20
1830
20
1690
19
1797
19
1847
19
1798
18
1839
18
1896
18
1779
17
1828
17
1851
17
1740
16
1794
16
1823
16
1838
16
0
15
1796
15
1799
15
1806
15
1822
15
1761
14
1781
14
1782
14
1783
14
1875
14
1774
13
1829
13
1843
13
1712
12
1723
12
1747
12
1766
12
1778
12
1866
12
1756
11
1759
11
1840
11
1849
11
1753
10
On-site Access
Accessible in the Study Room
91
On view at the Yale University Art Gallery
1
Image Use
Free to Use
91
Under Certain Circumstances
1
Image Available
Available
[remove]
92
Classification
Drawings & Watercolors
76
Drawing & Watercolors-Architectural
15
Prints
1
Creator Gender
male
92
unknown
3
female
1
Collective Title
Surveys of Edward Bacon's Seat at Earlham House
13
Period
18th century
71
18th century-19th century
20
19th century
1
Materials & Techniques
brown ink
[remove]
92
laid paper
62
graphite
37
wove paper
20
pen
14
watercolor
12
gray wash
11
pens
9
vellum (skin)
7
brown wash
6
black ink
4
gray ink
3
etching (printing process)
1
vellum
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
52
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
3
to
69
Work Type
drawing
91
watercolor
15
intaglio print
1
Genre
figure study
57
genre subject
32
architectural subject
15
religious and mythological subject
12
sporting art
5
literary theme
4
historical subject
2
portrait
2
still life
2
landscape
1
marine art
1
Subject Terms
figure study
32
genre subject
30
woman
21
architectural subject
15
men
15
seated
14
designs
13
house
13
religious and mythological subject
13
surveys
13
man
11
figures
9
women
9
standing
8
figure
6
hats
6
nude
6
water
6
Kenilworth, by Walter scott, 1821
5
children
5
more
Subject Terms
»
Associated Places
England
14
Europe
13
Norfolk
13
United Kingdom
13
Boeotia
2
Greece
2
Thebes
2
Voíótía
2
London
1
St. James's Park
1
Thames
1
Associated People
Apollo
2
Diana
2
Niobe
2
Aphrodite
1
Athena
1
God
1
Hayley, William (1745–1820), poet and biographer
1
Hera
1
Paris
1
Shakespeare, William (1564–1616), playwright and poet
1
Sir Roger de Coverley (character in The Spectator, 1711)
1
Susanna
1
Telemachus
1
Exhibition History
Art in Focus : John Flaxman Modeling Bust of William Hayley (Yale Center for British Art, 2010-02-04 - 2010-05-30)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Creation (Yale Divinity School & Institute of Sacred Music) (Beinecke Rare Book and Manuscript Library, 1979-04-23 - 1979-06-30)
1
George Romney (1734-1802) (National Portrait Gallery, 2002-05-30 - 2002-08-18)
1
George Romney (1734-1802) (The Huntington Library, Art Collections, and Botanical Gardens, 2002-09-15 - 2002-12-01)
1
George Romney (1734-1802) (Walker Art Gallery, 2002-02-07 - 2002-04-28)
1
Noble Simplicity and Silent Greatness - Neoclassical Art from 1700 - 1900 (Yale University Art Gallery, 1991-04-26 - 1991-09-29)
1
Romney: Brilliant Contrasts in Georgian England (Yale University Art Gallery, 2025-03-28 - 2025-10-19)
1
The Fuseli Circle in Rome - Early Romantic Art in the 1770s (Yale Center for British Art, 1979-09-12 - 1979-11-11)
1
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
38
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
33
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
13
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
2
Yale Center for British Art, Anonymous Gift
1
Yale Center for British Art, Gift of Herman W. Liebert
1
Yale Center for British Art, Given by Richard Teitz, Yale BA 1963, in celebration of the 50th Reunion of his class, and in memory of Alexander Teitz, Yale BA 1934, and Lucille Teitz
1
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Materials & Techniques
brown ink
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Date
1770
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1
George Romney, 1734–1802
Study for the Portrait of George Spencer, Fourth Duke of Marlborough
late 1770s
On view at YUAG
2
George Romney, 1734–1802
Standing Figures
1770s
3
George Romney, 1734–1802
Study of Tiber River Diety Sculpture
mid-1770s
4
George Romney, 1734–1802
Female Figure
1770s
5
George Romney, 1734–1802
Seated Woman
1770s
6
George Romney, 1734–1802
Two Seated Figures
1770s
7
George Romney, 1734–1802
Two Studies of a Prostrate Woman, possibly Santa Cecilia
1770s
8
George Romney, 1734–1802
Sketches for a Man with a Horse
1770s
9
George Romney, 1734–1802
Standing Female Figure
1770s
10
George Romney, 1734–1802
A Pensive Lady
early 1770s
11
George Romney, 1734–1802
Seated Woman
1770s
12
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
mid- 1770s
13
George Romney, 1734–1802
Classical Nymph
1770s
14
George Romney, 1734–1802
Seated and Standing Figures
1770s
15
George Romney, 1734–1802
Two Studies of Couples Dancing
1770s
16
George Romney, 1734–1802
Crowd before a Prophetess
1770s
17
George Romney, 1734–1802
Charity
1770s
18
George Romney, 1734–1802
Two Putti
1770s
19
George Romney, 1734–1802
Studies of Children Examining a Book
1770s
20
George Romney, 1734–1802
Three Studies of a Standing Woman, possibly Circe
1770s
21
George Romney, 1734–1802
Two Standing Youths
late 1770s
22
George Romney, 1734–1802
A Seated Woman
early 1770s
23
George Romney, 1734–1802
The Bath of Bath-sheba
early 1770s
24
George Romney, 1734–1802
Two Standing Figures
1770s
25
George Romney, 1734–1802
Two Studies of a Male Figure
1770-1771
26
George Romney, 1734–1802
Seated Woman
1770s
27
George Romney, 1734–1802
Seated Woman, Lightly Draped
1770s
28
George Romney, 1734–1802
Seated Woman
1770s
29
George Romney, 1734–1802
Seated Woman, Possibly Mrs. Harris
1770s
30
George Romney, 1734–1802
Seated Woman: Possibly Mrs. Harris
early 1770s
31
George Romney, 1734–1802
Study for a Portrait of a Woman
1770s
32
George Romney, 1734–1802
Study of a Seated Woman
1770s
33
George Romney, 1734–1802
Study for a Portrait of a Seated Man
1770s
34
George Romney, 1734–1802
The Destruction of Niobe's Children
ca. 1775
35
George Romney, 1734–1802
Apollo, Diana, and Horseman for The Death of Niobe's Children
ca. 1775
36
George Romney, 1734–1802
Sketches for Reclining and Prostrate Figures
1770s
37
George Romney, 1734–1802
Reclining Figures
1770s
38
George Romney, 1734–1802
Woman's Head in Profile
early 1770s
39
George Romney, 1734–1802
Reclining Figure
1770s
40
George Romney, 1734–1802
Figures Carrying Another Figure
1770s
41
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
1770s
42
George Romney, 1734–1802
Possibly a Fight Scene
1770s
43
George Romney, 1734–1802
Standing Male Figure
1770s
44
George Romney, 1734–1802
Seated Woman
1770s
45
George Romney, 1734–1802
Loosely Described Figures
1770s
46
George Romney, 1734–1802
Standing Figure with Arm Upraised, possibly Macbeth
1770s
47
George Romney, 1734–1802
Possibly "Descent of Odin" or "Bolingbroke and Apparition"
1770s
48
George Romney, 1734–1802
Celadon and Amelia or Erminia and Vafrino
1770s
49
George Romney, 1734–1802
Figure Composition; possibly Samson and Delilah
1770s
50
George Romney, 1734–1802
Figures at a Bier
1770s
51
George Romney, 1734–1802
Study of Two Figures and a Face
1770s
52
George Romney, 1734–1802
Figure Study 10
1770s
53
George Romney, 1734–1802
Figure Composition Study 25
1770s
54
Thomas Stothard, 1755–1834
The Club
undated
55
unknown artist
The Judgment of Paris
undated
56
John Flaxman, 1755–1826
Study of a Gentleman, called Dr. Johnson
undated
57
Thomas Stothard, 1755–1834
Sir Roger de Coverly
undated
58
John Flaxman, 1755–1826
Two Women Talking to a Man at a Counter
undated
59
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
60
unknown artist
Hudibras and Rolpho
undated
61
Isaac Johnson, 1754–1835
A Map of Redenhall Farm or Clyntegate Farm
undated
62
Isaac Johnson, 1754–1835
A Map of the Land in Needham
undated
63
Isaac Johnson, 1754–1835
A Map of the Land in Starson
undated
64
Isaac Johnson, 1754–1835
A Map of Pulham Farm
undated
65
Isaac Johnson, 1754–1835
A Map of Hardwick-Hall Farm
undated
66
Isaac Johnson, 1754–1835
Earlham Park, Norfolk
undated
67
Isaac Johnson, 1754–1835
A Plan of the Mansion-house and Paddock of Edward Bacon
undated
68
Isaac Johnson, 1754–1835
Earlham House, Front Elevation and Footprint
undated
69
Isaac Johnson, 1754–1835
Earlham House, Norfolk
undated
70
Isaac Johnson, 1754–1835
Earlham House, Elevation Plan with Dimensions
undated
71
Isaac Johnson, 1754–1835
Earlham, Norfolk
undated
72
Isaac Johnson, 1754–1835
Shelton Hall Lands
undated
73
Isaac Johnson, 1754–1835
A Map of the Farm in Mr. Briten's Use
undated
74
Thomas Stothard, 1755–1834
Untitled
undated
75
James Playfair, 1755–1794
Design for a Country Mansion
undated
76
Lancelot ('Capability') Brown, 1716–1783
St. James's Park, London: Plan
1770
77
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
78
Thomas Stothard, 1755–1834
Study for Telemachus
undated
79
unknown artist
God Creating the Universe
mid-1770s
80
Dominic Serres, 1722–1793
Firing a Salute
1770
81
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
82
Thomas Stothard, 1755–1834
Study for the Wellington Shield
undated
83
Louisa Augusta Greville, 1743–active 1762
Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
1770
84
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
85
Thomas Stothard, 1755–1834
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
undated
86
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
87
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
88
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
89
Robert Pollard, 1755–1838
Fly Fishing
undated
90
Robert Pollard, 1755–1838
Bottom Fishing Near Totten Mill
undated
91
Robert Pollard, 1755–1838
Punt Fishing in the Thames
undated
92
Robert Pollard, 1755–1838
Anglers Packing Up
undated