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Materials & Techniques brown ink
Remove constraint Materials & Techniques: brown inkDate 1770
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1
- Study for the Portrait of George Spencer, Fourth Duke of Marlborough
- late 1770s
- On view at YUAG
2
- Woman's Head in Profile
- early 1770s
3
- A Pensive Lady
- early 1770s
4
- Study of Tiber River Diety Sculpture
- mid-1770s
5
- Two Standing Figures
- 1770s
6
- Two Seated Figures
- 1770s
7
- Seated Woman
- 1770s
8
- Female Figure
- 1770s
9
- Two Studies of a Prostrate Woman, possibly Santa Cecilia
- 1770s
10
- Figure Composition Study 25
- 1770s
11
- Figure Composition; possibly Samson and Delilah
- 1770s
12
- Seated Woman
- 1770s
13
- Sketches for "The Accusation of Susanna"
- mid- 1770s
14
- Classical Nymph
- 1770s
15
- Seated and Standing Figures
- 1770s
16
- Two Studies of Couples Dancing
- 1770s
17
- Seated Woman, Lightly Draped
- 1770s
18
- Seated Woman, Possibly Mrs. Harris
- 1770s
19
- Seated Woman
- 1770s
20
- Seated Woman: Possibly Mrs. Harris
- early 1770s
21
- Study for a Portrait of a Woman
- 1770s
22
- Study of a Seated Woman
- 1770s
23
- Figures at a Bier
- 1770s
24
- Two Studies of a Male Figure
- 1770-1771
25
- Study for a Portrait of a Seated Man
- 1770s
26
- The Destruction of Niobe's Children
- ca. 1775
27
- Apollo, Diana, and Horseman for The Death of Niobe's Children
- ca. 1775
28
- Crowd before a Prophetess
- 1770s
29
- Two Standing Youths
- late 1770s
30
- Loosely Described Figures
- 1770s
31
- Standing Figure with Arm Upraised, possibly Macbeth
- 1770s
32
- Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
- 1770s
33
- Possibly a Fight Scene
- 1770s
34
- Standing Male Figure
- 1770s
35
- Possibly "Descent of Odin" or "Bolingbroke and Apparition"
- 1770s
36
- Celadon and Amelia or Erminia and Vafrino
- 1770s
37
- Seated Woman
- 1770s
38
- Sketches for Reclining and Prostrate Figures
- 1770s
39
- Reclining Figures
- 1770s
40
- Charity
- 1770s
41
- Two Putti
- 1770s
42
- Studies of Children Examining a Book
- 1770s
43
- Three Studies of a Standing Woman, possibly Circe
- 1770s
44
- Study of Two Figures and a Face
- 1770s
45
- Figure Study 10
- 1770s
46
- Sketches for a Man with a Horse
- 1770s
47
- Standing Female Figure
- 1770s
48
- Standing Figures
- 1770s
49
- Reclining Figure
- 1770s
50
- Figures Carrying Another Figure
- 1770s
51
- A Seated Woman
- early 1770s
52
- The Bath of Bath-sheba
- early 1770s
53
- Seated Woman
- 1770s
54
- Hudibras and Rolpho
- undated
55
- A Map of Redenhall Farm or Clyntegate Farm
- undated
56
- A Map of Hardwick-Hall Farm
- undated
57
- A Map of the Land in Starson
- undated
58
- A Map of the Land in Needham
- undated
59
- A Plan of the Mansion-house and Paddock of Edward Bacon
- undated
60
- A Map of the Farm in Mr. Briten's Use
- undated
61
- A Map of Pulham Farm
- undated
62
- Earlham, Norfolk
- undated
63
- Earlham Park, Norfolk
- undated
64
- Earlham House, Norfolk
- undated
65
- Earlham House, Elevation Plan with Dimensions
- undated
66
- Shelton Hall Lands
- undated
67
- Earlham House, Front Elevation and Footprint
- undated
68
- The Judgment of Paris
- undated
69
- Two Women Talking to a Man at a Counter
- undated
70
- To Phoebus at His Birth, From Aeschylus, Furies
- undated
71
- God Creating the Universe
- mid-1770s
72
- Design for a Country Mansion
- undated
73
- St. James's Park, London: Plan
- 1770
74
- Study for Telemachus
- undated
75
- Study for the Wellington Shield
- undated
76
- Relief Design for a Silver Salt Cellar
- undated
77
- Firing a Salute
- 1770
78
- Apollo and Daphne
- between 1770 and 1799
79
- Study of a Gentleman, called Dr. Johnson
- undated
80
- The Club
- undated
81
- Sir Roger de Coverly
- undated
![Thomas Stothard August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)](https://media.collections.yale.edu/thumbnail/ycba/62eb7eb2-0cc1-44eb-b049-334872524376)
82
- August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
- undated
![Thomas Stothard February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)](https://media.collections.yale.edu/thumbnail/ycba/48b1ec09-041e-4bcd-b9e2-3707f3363a7e)
83
- February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
- undated
![Thomas Stothard April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)](https://media.collections.yale.edu/thumbnail/ycba/f8db807a-6d7f-48bc-910a-9b7ddb6f96f0)
84
- April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
- undated
85
- November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
- undated
86
- Anglers Packing Up
- undated
87
- Bottom Fishing Near Totten Mill
- undated
88
- Punt Fishing in the Thames
- undated
89
- Fly Fishing
- undated
90
- Untitled
- undated
91
- Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
- 1770
92
- December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
- undated
93
- Design for a substantial villa. The `Forefront' and profile plan of the front elevation
- 1770