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1. Ship Aground, Brighton, with the Chain Pier Beyond

Ship Aground, Brighton, with the Chain Pier Beyond
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1830
Materials & Techniques:
Watercolor, black ink, and gouache on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. John Henderson as Falstaff

John Henderson as Falstaff
Creator:
George Romney, 1734–1802
Date:
1780
Materials & Techniques:
Gray ink and gray wash with pen and black ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.3 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)

Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. "Enitharmon slept. ..." (Plate 10)

"Enitharmon slept. ..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. "Shot from the heights of Enitharmon..." (Plate 17)

"Shot from the heights of Enitharmon..." (Plate 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. "Now comes the night of Enitharmons joy!..." (Plate 7)

"Now comes the night of Enitharmons joy!..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Famine (Plate 8)

Famine (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "Arise 'O Rintrah eldest born..." (Plate 9)

"Arise 'O Rintrah eldest born..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "Albions Angel rose upon the Stone of Night..." (Plate 12)

"Albions Angel rose upon the Stone of Night..." (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Plague (Plate 13)

Plague (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)

"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "The shrill winds wake!..." (Plate 6)

"The shrill winds wake!..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Frontispiece, The Ancient of Days (Plate 1)

Frontispiece, The Ancient of Days (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Title Page, Europe a Prophecy (Plate 2)

Title Page, Europe a Prophecy (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. A Prophecy. "The deep of winter came..." (Plate 5)

A Prophecy. "The deep of winter came..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. "In thoughts perturb'd they rose..." (Plate 11)

"In thoughts perturb'd they rose..." (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Spoiled Child, Scene III

The Spoiled Child, Scene III
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Spoiled Child, Scene V

The Spoiled Child, Scene V
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Design for a Wall of the Chapel of Revealed Religion

Design for a Wall of the Chapel of Revealed Religion
Creator:
Benjamin West, 1738–1820
Date:
ca. 1780
Materials & Techniques:
Watercolor with pen in gray and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Shipping on a Stormy Day

Shipping on a Stormy Day
Creator:
Samuel Owen, 1768–1857
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 11 13/16 inches (11.4 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Cobham Hall, Kent: Drawing for Wall Decoration

Cobham Hall, Kent: Drawing for Wall Decoration
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/8 x 21 1/2 inches (38.5 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Spoiled Child, Scene I

The Spoiled Child, Scene I
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 20 1/8 inches (39 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Spoiled Child, Scene IV

The Spoiled Child, Scene IV
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Spoiled Child, Scene II

The Spoiled Child, Scene II
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 x 20 3/8 inches (39.1 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Plan of three quarters of the amphitheatre at El Djem with descriptive notes

Plan of three quarters of the amphitheatre at El Djem with descriptive notes
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 21 1/2 inches (38.7 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec

Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and ink over graphite on slightly textured, medium thick, white laid paper
Dimensions:
Sheet: 15 1/4 × 9 7/8 inches (38.7 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Temple at Thignica Modern, Ain Tunga now totally Destroyed

Temple at Thignica Modern, Ain Tunga now totally Destroyed
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 21 1/8 inches (39.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Corinthian Temple at Assuras

Corinthian Temple at Assuras
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. XXIV Lybian Mausoleum at Dougga

XXIV Lybian Mausoleum at Dougga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 21 1/2 inches (39.1 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Temple of Jupiter and Minerva, Thugga

Temple of Jupiter and Minerva, Thugga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. XXII Side View of Temple at Dougga

XXII Side View of Temple at Dougga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 19 3/4 inches (38.7 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Tomb de la Chretienne/ Juba and Cleopatra

Tomb de la Chretienne/ Juba and Cleopatra
Creator:
James Bruce, 1730–1794
Date:
ca. 1769
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gouache, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 21 3/8 inches (39.1 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Cisterns at Carthage

Cisterns at Carthage
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 21 1/2 inches (39.1 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Plan of one quarter of the amphitheatre at El Djem showing seating tiers

Plan of one quarter of the amphitheatre at El Djem showing seating tiers
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Elevation of Amphitheatre of El Djem entitled "Isrus"

Elevation of Amphitheatre of El Djem entitled "Isrus"
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 15 1/4 × 21 1/4 inches (38.7 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Plan of one quarter of the Amphitheatre at El Djem showing outer corridors

Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Temple of Jupiter and Minerva, Thugga

Temple of Jupiter and Minerva, Thugga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured,cream laid paper
Dimensions:
Sheet: 15 3/8 × 19 1/8 inches (39.1 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Order of the two courts of the Temple at Baalbec

Order of the two courts of the Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 10 inches (38.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Plan of upright of the semi circular Exedra of Temple at Baalbec

Plan of upright of the semi circular Exedra of Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule

Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Black ink over traces of graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Basilica at Pergamon

The Basilica at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. High Street at Bushey, Hertfordshire

High Street at Bushey, Hertfordshire
Creator:
Henry Monro, 1791–1814
Date:
1812
Materials & Techniques:
Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:
Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Headfort House, Ireland: Elevation of One End of the Parlor

Headfort House, Ireland: Elevation of One End of the Parlor
Creator:
Robert Adam, 1728–1792
Date:
between 1771 and 1775
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Vault of Helen and William Gates, Mrs. Helen Gardnor, Mr. Lewis Combrune and Mrs. Helen Combrune

Vault of Helen and William Gates, Mrs. Helen Gardnor, Mr. Lewis Combrune and Mrs. Helen Combrune
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Memorial to William Earsby also to Edmund Guesham from Fulham Church

Memorial to William Earsby also to Edmund Guesham from Fulham Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 5/8 inches (38.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Memorial to Loilliam and Ann Frohock from Stoke Newington Church

Memorial to Loilliam and Ann Frohock from Stoke Newington Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 11 1/8 inches (39.1 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Memorial to Thomas Parsons, his Wife Mary and their Daughters, Ann Hamill and Mary Baunton form Stoke Newington Church

Memorial to Thomas Parsons, his Wife Mary and their Daughters, Ann Hamill and Mary Baunton form Stoke Newington Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 10 7/8 inches (39.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Brass Plate for unidentified Woman from Stoke Newington Church

Brass Plate for unidentified Woman from Stoke Newington Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Memorial to Gideon and Frances Guichenet and their Daughter Sarah also to Silvester Cote

Memorial to Gideon and Frances Guichenet and their Daughter Sarah also to Silvester Cote
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 × 10 7/8 inches (38.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Single Hermaphrodite Brig, Stern Forward

Single Hermaphrodite Brig, Stern Forward
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 15 3/16 × 17 inches (38.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

54. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 5/16 × 20 1/2 inches (38.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

55. Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan:

Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan:
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 3/8 × 21 1/8 inches (39.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

56. Memorial to Edward Smyth, Elizabeth Smyth, Mary Smyth, Elizabeth Barry and Mary Savoy of Acton Church

Memorial to Edward Smyth, Elizabeth Smyth, Mary Smyth, Elizabeth Barry and Mary Savoy of Acton Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 11 inches (38.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Front View of the Throne of the Late Tippoo Siltaun in the Laul Mahaul Palace of Seringapatan

Front View of the Throne of the Late Tippoo Siltaun in the Laul Mahaul Palace of Seringapatan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 × 8 1/4 inches (38.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Memorials to Francis Wilkson and John and Eluzay Hewitt from Feltham Church

Memorials to Francis Wilkson and John and Eluzay Hewitt from Feltham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 11 1/4 inches (38.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Whitehall Showing Holbein's Gate and Banqueting Hall

Whitehall Showing Holbein's Gate and Banqueting Hall
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1760
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Solvitur Acris Hyems

Solvitur Acris Hyems
Creator:
John Richard Wequelin, 1849–1927
Date:
undated
Materials & Techniques:
Gray wash, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 9 1/8 inches (39.4 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

61. Interior of a Rom in Samlesbury Hall; Lancashire

Interior of a Rom in Samlesbury Hall; Lancashire
Creator:
John Buckler FSA, 1770–1851
Date:
1814
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. View of the Rhydaer

View of the Rhydaer
Creator:
Francis Towne, 1740–1816
Date:
1777
Materials & Techniques:
Watercolor and black ink over graphite on medium slightly textured cream laid paper
Dimensions:
Sheet: 11 3/4 x 14 3/4 inches (29.8 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The Chestnut Grove, Near Rocca del Papa Near Lake Albano

The Chestnut Grove, Near Rocca del Papa Near Lake Albano
Creator:
Francis Towne, 1740–1816
Date:
1781
Materials & Techniques:
Gray wash and black ink and watercolor over graphite on medium moderately textured cream laid paper
Dimensions:
Sheet: 15 1/4 x 10 inches (38.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Bishop's Palace, Wells, Somerset: Elevations of the Great Hall

Bishop's Palace, Wells, Somerset: Elevations of the Great Hall
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1832
Materials & Techniques:
Pen and black and violet ink with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 x 19 3/8 inches (39.1 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

66. Tribunal House, Glastonbury, Somerset: Ground Floor Plan

Tribunal House, Glastonbury, Somerset: Ground Floor Plan
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1832
Materials & Techniques:
Pen and black ink with graphite and gray wash on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 x 10 3/8 inches (38.7 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

67. Architectural Drawing of the Temple of Sunias Minerva

Architectural Drawing of the Temple of Sunias Minerva
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash, graphite, pen and black ink on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 15 3/16 × 10 inches (38.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 9/16 x 16 3/4 inches (49.7 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. East Front Elevation of a Proposed Design for Cambridge Colleges

East Front Elevation of a Proposed Design for Cambridge Colleges
Creator:
William Wilkins, 1778–1839
Date:
undated
Materials & Techniques:
Graphite, watercolor, pen and black ink on textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 1/4 × 21 1/4 inches (38.7 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Elevation of a Proposed Design for Cambridge Colleges

Elevation of a Proposed Design for Cambridge Colleges
Creator:
William Wilkins, 1778–1839
Date:
undated
Materials & Techniques:
Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 1/2 × 23 3/4 inches (39.4 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Aqueous Equinox

Aqueous Equinox
Creator:
John Tunnard, 1900–1971
Date:
1944
Materials & Techniques:
Watercolor, black chalk, gouache, pen and black ink, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

72. Prague

Prague
Creator:
Thomas Shotter Boys, 1803–1874
Date:
ca. 1847
Materials & Techniques:
Watercolor, pen and black ink, brown ink, red ink, gouache, graphite, and scraping out on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 15/16 inches (38.7 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. `Sketches of Mares and Foals' - an illustrated letter addressed to J. S. Barry, Esq., and dated Aug. 11, 1800

`Sketches of Mares and Foals' - an illustrated letter addressed to J. S. Barry, Esq., and dated Aug. 11, 1800
Creator:
Francis Sartorius, 1734–1804
Date:
1800
Materials & Techniques:
Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/16 x 12 1/2in. (38.9 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Selborne Church

Selborne Church
Creator:
John Piper, 1903–1992
Date:
1961
Materials & Techniques:
Gray wash with pen and black ink on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 15 3/8 × 9 3/4 inches (39.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

75. Sketch of English Country Churches

Sketch of English Country Churches
Creator:
John Piper, 1903–1992
Date:
ca. 1950
Materials & Techniques:
Pen and black ink with white gouache on medium, smooth, cream wove paper, mounted to moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 6 5/8 × 8 5/8 inches (16.8 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

76. Barquentine and Frigate in Heavy Seas

Barquentine and Frigate in Heavy Seas
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 15 3/8 × 16 15/16 inches (39.1 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

77. Battle Scene: Battleships, Frigates and Corvettes; Sinking Boat and Rowboat

Battle Scene: Battleships, Frigates and Corvettes; Sinking Boat and Rowboat
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/4 x 22 1/8in. (38.7 x 56.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

78. Exterior View of Keylas (Kailasanatha)

Exterior View of Keylas (Kailasanatha)
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
ca. 1793
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 11 1/8 inches (38.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Memorial to a Poet, Richard Tickell from Hampton Church

Memorial to a Poet, Richard Tickell from Hampton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 11 1/8 inches (38.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Memorial to George Tilson from Hampton Church

Memorial to George Tilson from Hampton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on Not signed, not dated
Dimensions:
Sheet: 15 3/8 × 11 inches (39.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Tomb of Mrs. Susannah Thomas and Dame Dorothy Thomas from Hampton Church

Tomb of Mrs. Susannah Thomas and Dame Dorothy Thomas from Hampton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 5/8 inches (38.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Memorial to John William from Harlington Church

Memorial to John William from Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 11 1/8 inches (38.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Portrait of James Good, M.D. of New College Oxford

Portrait of James Good, M.D. of New College Oxford
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 11 1/8 inches (38.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Memorial to Nathaniel Crewe from Feltham Church

Memorial to Nathaniel Crewe from Feltham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 11 inches (38.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Memorial to Mary Gardiner from Hampton Church

Memorial to Mary Gardiner from Hampton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 11 inches (38.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Memorial to Mrs. Elizabeth Lardner, from Stanwell Church

Memorial to Mrs. Elizabeth Lardner, from Stanwell Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 5/8 inches (38.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Memorial to Francis Phelips, from Sunbury Church

Memorial to Francis Phelips, from Sunbury Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 11 inches (38.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink, gouache and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 7/16 x 15 11/16 inches (46.9 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Architectural Drawing of the Temple of Concordia

Architectural Drawing of the Temple of Concordia
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite, gray wash, pen and black ink on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 15 5/16 × 9 1/2 inches (38.9 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. A measured drawing of a skull

A measured drawing of a skull
Creator:
Cornelius Varley, 1781–1873
Date:
1826
Materials & Techniques:
Graphite with black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 x 9 7/8 inches (38.7 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lowell Libson, Ltd.

91. View of the Market Place at Juliers in Westphalia

View of the Market Place at Juliers in Westphalia
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Watercolor with pen and brown, black, and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 x 21 1/16 inches (31.6 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Longleat, Somerset: Elevation

Longleat, Somerset: Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1810
Materials & Techniques:
Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 15 3/16 × 21 1/2 inches (38.6 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. A Military Escapade

A Military Escapade
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite; verso: watercolor splotches on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 x 10 13/16 inches (38.7 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. A View of Edinburgh from the South Looking towards Dalkeith

A View of Edinburgh from the South Looking towards Dalkeith
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 1/4 x 38 1/4 inches (38.7 x 97.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

95. Study of Hercules for 'Crowning the Victors at Olympia'

Study of Hercules for 'Crowning the Victors at Olympia'
Creator:
James Barry, 1741–1806
Date:
between 1777 and 1780
Materials & Techniques:
Pen and black ink with brown wash over black chalk on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 15 3/16 × 8 3/8 inches (38.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

96. View near Tassisudon [Tashicho Dzong] in Bhutan

View near Tassisudon [Tashicho Dzong] in Bhutan
Creator:
Samuel Davis, 1760–1819
Date:
1783
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 13 3/16 × 18 13/16 inches (33.5 × 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Brimham Crags

Brimham Crags
Creator:
Thomas Daniell, 1749–1840
Date:
ca. 1780
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, black ink, graphite, and gum arabic on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 7/8 × 21 9/16 inches (40.3 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. A View of Westminster Abbey

A View of Westminster Abbey
Creator:
Dennis Flanders, 1915–1994
Date:
1940
Materials & Techniques:
Pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. View of the Convent of the Clarisses at Valenciennes after the Seige

View of the Convent of the Clarisses at Valenciennes after the Seige
Creator:
Joseph Farington, 1747–1821
Date:
1793
Materials & Techniques:
Pen and black ink, gray ink , black wash, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/8 × 22 3/4 inches (41 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. The Good Earth

The Good Earth
Creator:
Sir David Low, 1891–1963
Date:
undated
Materials & Techniques:
Pen and black ink, blue chalk, graphite and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 × 22 3/4 inches (38.6 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan