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1. De la Parade de Tierce, sur le Coup de Tierce

De la Parade de Tierce, sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. De la Parade du Cavé sur le Coup de Flanconnade

De la Parade du Cavé sur le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. De la Parade de Prime sur le Coup de Seconde

De la Parade de Prime sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. De la Parade de Seconde sur le Coup de Seconde

De la Parade de Seconde sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. De la Risposte de Quarte apres la Parade de Quarte

De la Risposte de Quarte apres la Parade de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

De la Risposte en Quinte de Pied forme sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Demi Volte sur les Coups Forcés au Dehors des Armes

Demi Volte sur les Coups Forcés au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Du Coupé sur Pointe de Quarte en Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Position de la Garde Italienne de L'Epée & Poignard

Position de la Garde Italienne de L'Epée & Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Position de la Garde de Tierce et le Coup de Seconde

Position de la Garde de Tierce et le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Position de la Garde en Quarte, et le Coup de Quarte Basse

Position de la Garde en Quarte, et le Coup de Quarte Basse
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Position pour le Garde en Tierce et le Coup de Tierce

Position pour le Garde en Tierce et le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Arch of Trajan Mactar Modern Makther set in Landscape

Arch of Trajan Mactar Modern Makther set in Landscape
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Graphite, gray wash, pen and black ink on moderately textured, thick, cream laid paper
Dimensions:
Sheet: 19 1/4 × 25 1/2 inches (48.9 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection