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Collection
Prints and Drawings
61
Creator
Gwin, James, 1700–1769
48
Bruce, James, 1730–1794
8
Balugani, Luigi Antonio Melchiorre, 1737–1771
2
Bartolozzi, Francesco, 1727–1815
1
Gilpin, William, 1724–1804
1
Riou, Stephen, 1720–1780
1
Unknown artist
1
Date
1745
214
1773
133
1785
108
1790
82
1791
78
1797
76
1700
71
1780
66
1763
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61
1705
56
1794
55
1793
49
1789
44
1775
34
1768
24
1776
24
1715
22
1762
22
1771
22
1792
21
1761
20
1795
20
1717
19
1798
19
1736
18
1772
18
1783
18
1753
17
1770
17
1730
16
1740
16
1765
16
1712
15
1755
15
1787
15
1752
14
1758
14
1764
14
1782
14
1760
13
1767
13
1781
13
1788
13
1799
13
1778
12
1779
12
1746
11
1777
10
1749
9
1750
9
1728
8
1732
8
1756
8
1759
8
1774
8
1748
7
1784
7
1742
6
1751
6
1786
6
0
5
1729
5
1734
5
1739
5
1743
5
1757
5
1769
5
1796
5
1800
5
1737
4
1738
4
1747
4
1718
3
1725
3
1735
3
1766
3
1701
2
1709
2
1720
2
1722
2
1723
2
1724
2
1731
2
1600
1
1633
1
1685
1
1690
1
1692
1
1711
1
1713
1
1714
1
1716
1
1721
1
1733
1
1741
1
1744
1
1754
1
1830
1
1852
1
On-site Access
Accessible by appointment in the Study Room
61
Image Use
Free to Use
61
Image Available
Available
59
Unavailable
2
Classification
Drawings & Watercolors
53
Drawing & Watercolors-Architectural
7
Prints
1
Creator Gender
male
61
unknown
1
Collective Title
Desseins Originaux des Attitudes Continuée dans L'École des Armes
48
Period
18th century
[remove]
61
Materials & Techniques
black ink
[remove]
61
laid paper
61
graphite
59
pen
53
gray wash
52
gray ink
47
watercolor
4
brown ink
2
line engraving
1
stipple engraving
1
Height [cm]
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65
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Current results range from
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65
Work Type
drawing
59
watercolor
52
intaglio print
1
Genre
sporting art
47
architectural subject
7
animal art
2
botanical subject
2
landscape
1
portrait
1
religious and mythological subject
1
Subject Terms
architectural subject
7
animal art
2
Catholic
1
Italian
1
author
1
buttons
1
castle
1
coat
1
framed
1
landscape
1
mountains
1
nose
1
oval
1
portrait
1
religious (people)
1
river
1
rocks (landforms)
1
trees
1
vegetation
1
wig
1
Associated People
Tartarotti, Girolamo, 1706–1761
1
Exhibition History
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
59
Yale Center for British Art, Gift of Arthur Weyhe
1
Yale Center for British Art, Paul Mellon Fund
1
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Materials & Techniques
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Date
1763
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Period
18th century
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1
James Bruce, 1730–1794
Entrance Gate, Zaghouan
ca. 1768
2
James Bruce, 1730–1794
Entrance Gate Zaghouan
ca. 1768
3
James Bruce, 1730–1794
Details of Temple Above Spring at Zaghouan
ca. 1768
4
James Bruce, 1730–1794
Temple Above Spring at Zaghouan
ca. 1768
5
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
6
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
7
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
8
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
9
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
10
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
11
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
12
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
13
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
14
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
15
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
16
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
17
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
18
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
19
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
20
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
21
Print made by Francesco Bartolozzi, 1728–1815
Gerolamo Tartarotti
1763
22
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
23
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
24
James Bruce, 1730–1794
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
25
James Bruce, 1730–1794
Elevation and Plan of Arch at Makther
ca. 1768
26
James Bruce, 1730–1794
Felis caligata (Booted Lynx)
ca. 1768
27
James Bruce, 1730–1794
Jerboa
ca. 1768
28
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
29
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
30
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
31
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
32
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
33
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
34
James Gwin, 1700–1769
Premiere Position du Salut
1763
35
James Gwin, 1700–1769
Troisieme Position du Salut
1763
36
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
37
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
38
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
39
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
40
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
41
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
42
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
43
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
44
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
45
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
46
James Gwin, 1700–1769
Seconde Position du Salut
1763
47
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
48
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
49
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
50
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
51
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
52
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
53
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
54
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
55
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
56
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
57
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
58
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
59
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
60
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
61
James Gwin, 1700–1769
Desseins Originaux des Attitudes Continuée dans L'École des Armes
1763