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Collection
Prints and Drawings
217
Creator
Bruce, James, 1730–1794
112
Borra, Giovanni Battista, 1713–1770
86
Gilpin, William, 1724–1804
6
Cozens, Alexander, 1717–1786
2
Paine, James, 1717–1789
2
Swaine, Francis, 1730–1782
2
Deacon, James, c. 1728–1750
1
Hadley, J., active 1730–1758
1
Heckel, Augustin, 1690–1770
1
Jefferys, William, 1730–ca. 1805
1
Ross, Thomas, active from 1753
1
Sanderson, John, active 1730; died 1774
1
Slater, Joseph, c. 1750– died after 1789
1
Date
1796
307
1771
235
1745
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217
1800
162
1785
133
1804
130
1814
124
1790
105
1772
99
1797
86
1791
85
1780
76
1799
74
1700
73
1839
73
1794
63
1832
62
1763
61
1795
58
1705
56
1775
55
1793
53
1781
51
1789
48
1827
43
1807
40
1817
40
1770
39
1802
39
1825
38
0
37
1830
35
1818
34
1801
32
1767
31
1768
31
1811
30
1820
27
1823
27
1765
26
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26
1815
26
1755
25
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25
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24
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24
1782
24
1798
24
1828
24
1761
23
1787
23
1715
22
1819
22
1758
21
1783
21
1792
21
1736
19
1740
19
1748
19
1759
19
1778
19
1806
19
1751
18
1753
18
1760
18
1805
18
1857
18
1822
17
1730
16
1762
16
1784
16
1712
15
1752
15
1764
15
1788
15
1847
14
1848
14
1746
13
1750
13
1779
13
1810
13
1813
13
1834
13
1717
12
1835
12
1851
12
1777
11
1786
11
1803
11
1756
10
1766
10
1808
10
1816
10
1744
9
1769
9
1829
9
1841
9
1842
9
1728
8
1732
8
On-site Access
Accessible by appointment in the Study Room
217
Image Use
Free to Use
216
Under Certain Circumstances
1
Image Available
Available
217
Classification
Drawing & Watercolors-Architectural
181
Drawings & Watercolors
36
Creator Gender
male
217
Period
18th century
213
19th century
4
Materials & Techniques
black ink
[remove]
217
graphite
203
laid paper
203
gray wash
141
brown ink
54
red pencil
39
pen
18
watercolor
13
wove paper
12
blue wash
3
brown wash
3
gray ink
2
ground (material)
2
red ink
2
pens
1
vellum (skin)
1
yellow wash
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
10
to
99
Work Type
drawing
217
watercolor
132
Genre
architectural subject
180
landscape
49
cityscape
10
genre subject
3
sporting art
3
marine art
2
animal art
1
figure study
1
literary theme
1
religious and mythological subject
1
Subject Terms
architectural subject
180
landscape
47
mountains
37
trees
33
columns
30
hills
28
ruins
25
scale (rule)
22
temple
21
capitals
20
site plan
18
friezes
16
moldings
16
arches
14
buildings
14
ancient Greek
11
cartographic material
11
Lydian
10
coastline
10
columns (architectural elements)
10
more
Subject Terms
»
Associated Places
Asia
53
Turkey
48
Ege kiyilari
38
Israel
11
Denizli Ili
10
Izmir Ili
10
Marmara
9
Mugla Ili
8
Italy
7
Manisa Ili
7
Paestum
7
Sardis
7
Jerusalem
6
Yerushalayim, Mehoz
6
Laodicea
5
Lazio
5
Pamukkale
5
Roma
5
Aphrodisias
4
Milâs
4
more
Associated Places
»
Associated People
Robin Hood
1
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
[remove]
217
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Materials & Techniques
black ink
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1745
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1
James Bruce, 1730–1794
Elevation of Front of most entire Temple at Baalbec
undated
2
James Bruce, 1730–1794
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
undated
3
James Bruce, 1730–1794
Internal Order of the Cell of the most entire Temple at Baalbec
undated
4
James Bruce, 1730–1794
Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples
undated
5
James Bruce, 1730–1794
Plan of the Temple at Baalbec
undated
6
James Bruce, 1730–1794
Temple at Baalbec: Three Temples amongst other Ruins
undated
7
James Bruce, 1730–1794
Finished Drawing of Unidentified Palladian Mansion
undated
8
James Bruce, 1730–1794
Temple at Thignica Modern, Ain Tunga now totally Destroyed
undated
9
James Bruce, 1730–1794
Fragments of Architecture at Temple of Thignica Ain Tunga
undated
10
James Bruce, 1730–1794
Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga
undated
11
James Bruce, 1730–1794
Architectural Detail of Cornice of Temple at Thignica Modern Ain Tunga
undated
12
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
13
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
14
James Bruce, 1730–1794
Quadrifrontal Arch, Tripoli
undated
15
James Bruce, 1730–1794
Plate XV Back of Temple at Sheitla [sic]
undated
16
James Bruce, 1730–1794
Left Corinthian Temple at Suttetula Modern Sheitla
undated
17
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
18
James Bruce, 1730–1794
Right Corinthian Temple at Suttetula Modern Sheitla
undated
19
James Bruce, 1730–1794
The Medrassen [sic] Pl. V
undated
20
James Bruce, 1730–1794
Triumphal Arch of Hieron of Temples Sheitla
undated
21
James Bruce, 1730–1794
Trajans Arch, Makter
undated
22
James Bruce, 1730–1794
Details of Lower Arch Mactar, Modern Makther
undated
23
James Bruce, 1730–1794
Details of Plinth and Entablature of Lower Arch at Mactar, Modern Makther
undated
24
James Bruce, 1730–1794
XVLL Arch at Makther
undated
25
James Bruce, 1730–1794
Architectural Details of Pedestal Column and Entablature and Pediment Makther
undated
26
James Bruce, 1730–1794
Elevation of Pedestal Entablature and Pediment of Triumphal Arch at Makther
undated
27
James Bruce, 1730–1794
XLX Lower Arch at Makther Details of Cornice
undated
28
James Bruce, 1730–1794
Tucca Terebinthina; Title Page
undated
29
James Bruce, 1730–1794
Elevation and Plan of Trajan's Arch at Makther; erso: Elevation of Pedestal and Entablature of Trajan's Arch
undated
30
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
undated
31
James Bruce, 1730–1794
St Agnes (after Domenichino)
undated
32
James Bruce, 1730–1794
Studies of Ceremonial Weaponry
undated
33
James Bruce, 1730–1794
Study of a Coin
undated
34
James Bruce, 1730–1794
Elevation of Ruined Temple
undated
35
James Bruce, 1730–1794
Weighing Scale
undated
36
James Bruce, 1730–1794
Sketch of Man, Woman and Child
undated
37
James Bruce, 1730–1794
Slight graphite sketch of ruins of Hieron of Temples at Shietla
undated
38
James Bruce, 1730–1794
Pl. VIII Temple of Jupiter at Tebessa
undated
39
James Bruce, 1730–1794
Pl. IX Arch of Caracalla at Tebessa
undated
40
James Bruce, 1730–1794
Entrance to Hieron of Temple of Shietla
undated
41
James Bruce, 1730–1794
Arch of Caracalla at Tebessa and many measured plans and elevations
undated
42
James Bruce, 1730–1794
Sketches of architectural detail of temple at Baalbec
undated
43
James Bruce, 1730–1794
Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
undated
44
James Bruce, 1730–1794
Plan of temple at Baalbec
undated
45
James Bruce, 1730–1794
Upright of the Niche at the Temple at Baalbec
undated
46
James Bruce, 1730–1794
Section of arches and stairs of the temple at Baalbec
undated
47
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
48
James Bruce, 1730–1794
Elevation and plan of part of Temples at Baalbec
undated
49
James Bruce, 1730–1794
Plan of the great temple of Baalbec and of Portico and Courts leading to it
undated
50
James Bruce, 1730–1794
Measured drawing of section of pediments of temple Baalbec
undated
51
James Bruce, 1730–1794
Plan of the circular temple at Baalbec
undated
52
James Bruce, 1730–1794
Order of the Great Temple at Baalbec with descriptive notes attached
undated
53
James Bruce, 1730–1794
Plan of Temple at Baalbec
undated
54
James Bruce, 1730–1794
Back view of the same circular temple in its present state
undated
55
James Bruce, 1730–1794
Plan of the most entire temple at Baalbec
undated
56
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
57
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
58
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
59
Francis Swaine, 1730–1782
Fishing Boats
undated
60
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
61
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Artemis at Ephesus
ca. 1750
62
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
63
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
64
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
65
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
66
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
67
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
68
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
69
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
70
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
71
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
72
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
73
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
74
Giovanni Battista Borra, 1713–1770
Pianta di Rodi
ca. 1750
75
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
76
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
77
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
78
Giovanni Battista Borra, 1713–1770
Plan and View of a Cave, Temple, or Tomb
ca. 1750
79
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
80
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
81
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
82
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
83
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
84
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
85
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
86
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
87
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
88
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
89
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
90
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
91
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
92
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
93
Giovanni Battista Borra, 1713–1770
Reggio di Calabria
ca. 1750
94
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
95
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
96
James Paine, 1717–1789
Design for a Church: Elevation of the West Front
ca. 1750
97
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
98
Francis Swaine, 1730–1782
Ships on a Calm Sea
undated
99
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
100
William Jefferys, 1730–ca. 1805
Maidstone, Kent
undated
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