"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
6
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
7
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
8
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
9
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
10
Thomas Malton, 1726–1801
Winchester Tower, Windsor Castle
undated
11
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
12
Francis Place, 1647–1728
Lambeth from York House
undated
13
Thomas Patch, 1725–1782
Valentino, Servitore de Piazza
1769
14
James Lambert of Lewes, 1725–1788
The Monument of Thomas Fiennes
undated
15
Robert Dighton, 1752–1814
Bachelor's Hall
undated
16
Sir Robert Smirke the younger, 1781–1867
Temple Near the Site of Ancient Phigalia
1803
17
Sir Robert Smirke the younger, 1781–1867
The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
18
Sir Robert Smirke the younger, 1781–1867
The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
19
Sir Robert Smirke the younger, 1781–1867
The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
1802-1804
20
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
21
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
22
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
23
Attributed to Thomas Baker of Leamington, 1809–1864
A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
1848
24
Mrs. P. D. H. Page, 20th century
Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
undated
25
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
26
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
27
Capt. Francis Grose, 1731–1791
A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Stanley St. Leonard's Priory & Kitchen, Gloucestershire
undated
28
John Piper, 1903–1992
Sketch of English Country Churches
ca. 1950
29
John Piper, 1903–1992
Selborne Church
1961
30
Lionel Edwards, 1878–1966
The Lodge Gate
1922
31
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
32
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
33
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
34
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
35
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
36
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
37
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
38
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
39
John Thomas Smith, 1766–1833
The Smock Exposed
1817
40
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
41
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
42
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
43
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
44
Samuel Howitt, 1756–1822
Country Folk with a Child, Beside a River
undated
45
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
46
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
47
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
48
unknown artist
Heveningham Hall, Suffolk
between 1782 and 1790
49
William Kent, ca.1686–1748
Townsend's Building at Rousham, Oxfordshire: Elevation and Plan
ca. 1738
50
Thomas Stowers, 1754–active 1814
Mill at Load Water
undated
51
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
52
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
53
Michel Jean Cazabon, 1813–1888
St. James' Barracks from the Playground of the Model School
1857
54
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
55
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
56
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
57
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
58
Michel Jean Cazabon, 1813–1888
Los Gallos, Icacos Bay
1857
59
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
60
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
61
John Thomas Smith, 1766–1833
The Reconcilation
1817
62
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
63
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
64
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
65
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
66
Sir Augustus Wall Callcott, 1779–1844
Woman on a Horse with Two Standing Women Overlooking a Landscape
undated
67
James Bruce, 1730–1794
Felis caligata (Booted Lynx)
ca. 1768
68
James Bruce, 1730–1794
Jerboa
ca. 1768
69
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
70
William Collins, 1788–1847
Dartmouth
undated
71
Thomas Hearne, 1744–1817
Haymaking
undated
72
Attributed to Daniel Lysons, 1762–1834
Memorial to Sir Orlando Gee Knight from Isleworth Church
between 1796 and 1811
73
Samuel Howitt, 1756–1822
The Toll-house with a Coach Crossing the Bridge
undated
74
John Michael Rysbrack, 1694–1770
Design for a Monument to Sir James Reade, Hatfield
undated
75
James Bruce, 1730–1794
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
undated
76
Nicholas Pocock, 1740–1821
View from Ashton Meadows, Bristol
1791
77
Sir Richard Westmacott, 1775–1856
Interior of Lancaster House
undated
78
James Bruce, 1730–1794
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
79
George Lothian Hall, 1825–1888
The Rock of Gibraltar from the Alameida at San Roque
1844
80
George Lothian Hall, 1825–1888
The 48th Regiment with Casemate, Gibraltar
1844
81
George Lothian Hall, 1825–1888
The King's Bastion, the Club House Hotel, Gibraltar
1844
82
Sir Stanley Spencer, 1891–1959
Deposition
1910
83
Thomas Grieve, 1799–1882
Design for Love's Labour's Lost
1839
84
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
85
Attributed to Daniel Lysons, 1762–1834
Memorial to George and Elizabeth MacKenzie from Kensngton Church
between 1796 and 1811
86
Robert Dighton, 1752–1814
A Lesson Westward, or, A Morning Visit to Betsy Cole
1782
87
James Gwin, 1700–1769
Troisieme Position du Salut
1763
88
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
89
George Augustus Sala, 1828–1895
Sketches: Nude Man, Standing Man, Two Profiles, and Box
1888
90
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
91
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
92
Thomas Stothard, 1755–1834
Sketch of Classical Figures in Action
undated
93
George Lothian Hall, 1825–1888
The South Barracks, Gibraltar
1844
94
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
95
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
96
Samuel Prout, 1783–1852
Beach Scene
undated
97
Robert Smirke, 1752–1845
Bachanalia Scene
undated
98
Henry Swinburne, 1743–1803
View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"