<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques aquatint

Remove constraint Materials & Techniques: aquatint

Width [cm] 25

Remove constraint Width [cm]: 25

Search Results

1. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:
Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:
Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Miller's Tale I

The Miller's Tale I
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1974
Materials & Techniques:
Etching and aquatint on medium, slightly textured, white wove paper
Dimensions:
Sheet: 23 1/2 × 15 3/4 inches (59.7 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

4. The Miller's Tale II

The Miller's Tale II
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1974
Materials & Techniques:
Etching and aquatint on medium, slightly textured, white wove paper
Dimensions:
Sheet: 23 3/8 × 15 1/2 inches (59.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

5. Lady Dashwood & Child

Lady Dashwood & Child
Creator:
Print made by Charles Howard Hodges, 1764–1837
Date:
1785
Materials & Techniques:
Mezzotint, 3rd state with aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 × 10 7/16 inches (35.6 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Sacra Christi Familia

Sacra Christi Familia
Creator:
Print made by James Barry, 1741–1806
Date:
undated
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 3/16 × 10 inches (33.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Mother and Child I

Mother and Child I
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Harriet Loria Popowitz

8. Mother and Child XXI

Mother and Child XXI
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

9. Mother and Child IV

Mother and Child IV
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

10. Mother and Child VIII

Mother and Child VIII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

11. Finding things not exactly what he expected - Plate 2

Finding things not exactly what he expected - Plate 2
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 15/16 x 14 inches (25.3 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Mr. B seeking the Bubble reputation - Plate 5

Mr. B seeking the Bubble reputation - Plate 5
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Waiting Room at the Admiralty--.(No misnomer) - Plate 6
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
Creator:
Print made by Thomas Hall, active early 19th century
Date:
1808
Materials & Techniques:
Aquatint on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 12 × 14 inches (30.5 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Fools; or Jesters

Fools; or Jesters
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1813
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 1/16 inches (36.7 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Creator:
Print made by James Gillray, 1756–1815
Date:
1805
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. Lady Gertrude Fitzpatrick as Sylvia

Lady Gertrude Fitzpatrick as Sylvia
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Stipple engraving, aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 15/16 × 10 13/16 inches (37.9 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. Villa Quintilii

Villa Quintilii
Creator:
Print made by William Walcot, 1874–1943
Date:
1921
Materials & Techniques:
Etching, aquatint, roulette, and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 14 3/8 inches (30.5 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22. Chalees Satoon, The Bride, and Paul & Virginia

Chalees Satoon, The Bride, and Paul & Virginia
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Baxter process; three prints on one sheet on thick cream card
Dimensions:
Sheet: 5 1/4 × 10 9/16 inches (13.4 × 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Gems of the Great Exhibition No. 4: The Foreign Department

Gems of the Great Exhibition No. 4: The Foreign Department
Creator:
Print made by George Baxter, 1804–1867
Date:
1852 or 1854
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Fitting out. - Plate 1

Fitting out. - Plate 1
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Hall and Stair Case, British Museum

The Hall and Stair Case, British Museum
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 5/8 × 10 inches (32.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Eight colour prints

Eight colour prints
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 × 11 inches (32 × 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Eight Rural Subjects

Eight Rural Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Mamma at Romps

Mamma at Romps
Creator:
Print made by Samuel Freeman, 1773–1857
Date:
1810
Materials & Techniques:
Colored aqutatint and stipple engraving, with etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/16 x 10 3/8 inches (34.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Holy River

The Holy River
Creator:
Print made by Ernest Stephen Lumsden, 1883–1948
Date:
1912
Materials & Techniques:
Etching and drypoint, with aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

30. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
Creator:
James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Clapham Manor-House, Surry

Clapham Manor-House, Surry
Creator:
John Hassell, 1767–1825
Date:
between 1804 and 1822
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. On the Banks of the Marne below the Bridge at Charenton

On the Banks of the Marne below the Bridge at Charenton
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 25 1/8 inches (39.7 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. On the Banks of the Marne below the Bridge at Charenton

On the Banks of the Marne below the Bridge at Charenton
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Right Honourable. James Harris, 1st Earl of Malmesbury

No cover image available
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1797
Materials & Techniques:
Aquatint, stipple engraving and mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 11 13/16 inches (40 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The End of the Day

No cover image available
Creator:
William Lee Hankey, 1869–1952
Date:
between 1911 and 1912
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/16 x 9 13/16 inches (20.5 x 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

36. The Summer Moon

No cover image available
Creator:
William Lee Hankey, 1869–1952
Date:
1905
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 5/16 x 12 13/16 inches (38.9 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery