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Materials & Techniques aquatint
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1. Ludgate Hill
- Date:
- 1921
- Materials & Techniques:
- Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 14 3/4 × 10 1/8 inches (37.5 × 25.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
- Date:
- 1795
- Materials & Techniques:
- Aquatint and etching on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 9 × 5 15/16 inches (22.8 × 15.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1785
- Materials & Techniques:
- Stipple engraving, etching, and aquatint on thick, rough, cream laid paper
- Dimensions:
- Sheet: 16 11/16 × 11 5/16 inches (42.4 × 28.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- after 1856
- Materials & Techniques:
- Aquatint and stipple engraving; color woodcut done by Le Blond & Co. on moderately thick, slightly textured, cream wove paper, laid on mount
- Dimensions:
- Sheet: 7 1/16 × 5 1/8 inches (17.9 × 13 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- after 1850
- Materials & Techniques:
- Aquatint and stipple engraving; color woodcut done by an unknown later printer on moderately thick, slightly textured, beige wove paper
- Dimensions:
- Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- undated
- Materials & Techniques:
- Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
- Dimensions:
- Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- after 1850
- Materials & Techniques:
- Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
- Dimensions:
- Image: 1 13/16 x 4 15/16 inches (4.6 x 12.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
8. Ben Nevis
- Date:
- after 1850
- Materials & Techniques:
- Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
- Dimensions:
- Image: 1 7/8 x 4 15/16 inches (4.8 x 12.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- after 1850
- Materials & Techniques:
- Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
- Dimensions:
- Image: 6 15/16 x 5 3/16 inches (17.7 x 13.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- after 1850
- Materials & Techniques:
- Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
- Dimensions:
- Sheet: 2 1/4 × 5 1/4 inches (5.7 × 13.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- after 1850
- Materials & Techniques:
- Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
- Dimensions:
- Sheet: 2 5/16 × 5 3/16 inches (5.8 × 13.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1974
- Materials & Techniques:
- Etching and aquatint
- Dimensions:
- Image: 7 x 4 15/16 inches (17.8 x 12.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.
- Date:
- after 1893
- Materials & Techniques:
- Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
- Dimensions:
- Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- after 1893
- Materials & Techniques:
- Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
- Dimensions:
- Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- after 1893
- Materials & Techniques:
- Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
- Dimensions:
- Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
16. XLIII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching, hardground, 5 sugarlifts, creeping aquatint bite, scraping, burnishing, and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
17. XLIV
- Date:
- 1990
- Materials & Techniques:
- Softground etching, openbite, creeping aquatint bite, and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
18. XXII
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black, acid brushed onto open plate in several stages, then openbite etching through varnish and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
19. XXIV
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black over white plate then burnished back and open bitten through stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
20. XXVI
- Date:
- 1990
- Materials & Techniques:
- Coarse aquatint bitten in 3 states, then 5 stages of openbite etching: the plate was then cut down from a square format on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
21. XXIX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, sugarlift, openbite and aquatint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
22. XXVIII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching and aquatint: the plate was cut in half after 6 states on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
23. XXXII
- Date:
- 1990
- Materials & Techniques:
- Aquatint, openbite etching, hardground, and hand-shaken aquatint: the plate cut down following state 12 on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
24. XXXIII
- Date:
- 1990
- Materials & Techniques:
- Sugarlift etching in 3 stages, the first bitten in 2 stages on coarse grain aquatint, second bitten in 3 states on fine aquatint, third bitten once only, then two openbites through varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
25. XXXIX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
26. XLV
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint and openbite: the plate was cut in half, the other half used for plate L on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
27. XLVI
- Date:
- 1990
- Materials & Techniques:
- Softground etching, hardground, aquatint, burnishing, and openbite: the plate was cut in half at state 7, the other half made XXVII on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
28. VIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, aquatint, openbite, lavender oil on hardground and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
29. IV
- Date:
- 1990
- Materials & Techniques:
- Aquatint, burnishing, sugarlift, openbite and softground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
30. III
- Date:
- 1990
- Materials & Techniques:
- Openbite etching and aquatint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
31. VII
- Date:
- 1990
- Materials & Techniques:
- Softground etching and aquatint with crayon resist, openbite, hardground and various stages of burnishing and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
32. VI
- Date:
- 1990
- Materials & Techniques:
- Softground etching with aquatint, hardground openbite, sugarlift, drypoint and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
33. V
- Date:
- 1990
- Materials & Techniques:
- Aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
34. XXI
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black over whole plate then burnished back, hardground etching and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
35. XXIII
- Date:
- 1990
- Materials & Techniques:
- Aquatint, openbite etching and sugarlift on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
36. XXVII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, aquatint, openbite through varnish and brasso, and burnishing: the plate was then cut in half at state 7 on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
37. XLII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching, creeping aquatint bite, and polishing back on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
38. XLVII
- Date:
- 1990
- Materials & Techniques:
- Aquatint and stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
39. Fifty Etchings
- Date:
- 1990
- Materials & Techniques:
- Portfolio of 50 etchings on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund