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Joseph Mallord William Turner Junction of Severn and Wye
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
Matthew Dubourg Partridge Shooting
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
Richard Banks Harraden The Waterworks at Marli; and St. German en Laye seen in the distance
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
Matthew Dubourg Pheasant Shooting
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
Matthew Dubourg Snipe Shooting
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
James Gillray The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
Matthew Dubourg Grouse Shooting
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
John Bluck Clare Hall
Print made by John Bluck, active 1791–1831
Clare Hall
1814
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Albanian Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Albanian Scenes
after 1850
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
Bradshaw & Blacklock Italian Peasants - Tryoliean Waltz.
Print made by Bradshaw & Blacklock, active ca.1850
Italian Peasants - Tryoliean Waltz
after 1850
Bradshaw & Blacklock Constantinople
Print made by Bradshaw & Blacklock, active ca.1850
Constantinople
after 1850
Bradshaw & Blacklock Highland Dancers
Print made by Bradshaw & Blacklock, active ca.1850
Highland Dancers
after 1850
Bradshaw & Blacklock Ben Nevis
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
Bradshaw & Blacklock Cathedrals in England
Print made by Bradshaw & Blacklock, active ca.1850
Cathedrals in England
after 1850
Bradshaw & Blacklock Castles in England
Print made by Bradshaw & Blacklock, active ca.1850
Castles in England
after 1850
Bradshaw & Blacklock The Crimean War
Print made by Bradshaw & Blacklock, active ca.1850
The Crimean War
after 1850
Bradshaw & Blacklock Eight colour prints
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Haddon Hall
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
Bradshaw & Blacklock Hampton Court
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
Bradshaw & Blacklock Her Majesty Queen Victoria & Family
Print made by Bradshaw & Blacklock, active ca.1850
Her Majesty Queen Victoria & Family
ca. 1851
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
George Baxter Gems of the Great Exhibition No. 4: The Foreign Department
Print made by George Baxter, 1804–1867
Gems of the Great Exhibition No. 4: The Foreign Department
1852 or 1854
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
George Baxter Queen Victoria
after George Baxter, 1804–1867
Queen Victoria
ca. 1860
George Baxter The Death of Ananias
after George Baxter, 1804–1867
The Death of Ananias
after 1855
George Baxter Christ's Charge to Peter
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
Bradshaw & Blacklock Returning from the Spring. Virginia.
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
after 1850
John Bluck West India Docks
Print made by John Bluck, active 1791–1831
West India Docks
1810
John Hill Dining Hall, Asylum
John Hill, 1770–1850
Dining Hall, Asylum
1808
John Bluck Saint Stephen's, Walbrook
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
John Bluck Water Engine, Cold-Bath-Field's Prison
Print made by John Bluck, active 1791–1831
Water Engine, Cold-Bath-Field's Prison
1808
John Hill Pass-Room Bridewell
John Hill, 1770–1850
Pass-Room Bridewell
1808
John Augustus Atkinson Costume of the Reign of King Henry III, 1250
Print made by John Augustus Atkinson, 1775–1831
Costume of the Reign of King Henry III, 1250
1814
Richard Earlom A Study, with Ancient Ruins
Print made by Richard Earlom, 1743–1822
A Study, with Ancient Ruins
1810
Richard Earlom A Study
Print made by Richard Earlom, 1743–1822
A Study
1810
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
Thomas Girtin View of St. Cloud and Mount Calvary taken from Pont de Seve
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
George Cruikshank Finding things not exactly what he expected - Plate 2
Print made by George Cruikshank, 1792–1878
Finding things not exactly what he expected - Plate 2
1820
George Cruikshank Mr. B seeking the Bubble reputation - Plate 5
Print made by George Cruikshank, 1792–1878
Mr. B seeking the Bubble reputation - Plate 5
1820
David Allan Peggy and Patie
Print made by David Allan, 1744–1796
Peggy and Patie
1808
David Allan Patie and Peggy
Print made by David Allan, 1744–1796
Patie and Peggy
1808
Robert Havell Crofton
Robert Havell, 1769–1832
Crofton
1813
Thomas Girtin View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
Thomas Girtin View of the City with the Louvre &c. taken from Pont Marie
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
Thomas Girtin View of Pont St. Michel, taken from Pont Neuf
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
Thomas Girtin A General View of Paris taken from Chaillot
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
Thomas Girtin View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
George Cruikshank Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
Print made by George Cruikshank, 1792–1878
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
1820
George Cruikshank Waiting Room at the Admiralty--.(No misnomer) - Plate 6
Print made by George Cruikshank, 1792–1878
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
1820
George Cruikshank Frontispiece: The Progress of a Midshipman
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
George Cruikshank Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
George Cruikshank Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
Print made by George Cruikshank, 1792–1878
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
1820
David Allan Bauldy, Symon and Sir William Worthy
Print made by David Allan, 1744–1796
Bauldy, Symon and Sir William Worthy
1808
David Allan Patie Rebukes Roger
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808
Thomas Girtin A View of Pont Neuf, the Mint, & c.
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
Thomas Girtin View of Thuilleries and Bridge taken from the Quay d'Orsai
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
Thomas Girtin A View of Pont Neuf, the Mint, &c.
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
Thomas Girtin View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
Thomas Girtin View of the Gate of St. Denis taken from the Suburbs
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin View of the Village of Chaillot and &c., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Girtin The Water Mill above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
David Allan Madge and Bauldy
Print made by David Allan, 1744–1796
Madge and Bauldy
1808
David Allan Glaud and Peggy
Print made by David Allan, 1744–1796
Glaud and Peggy
1808
David Allan Jenny and Roger
Print made by David Allan, 1744–1796
Jenny and Roger
1808
David Allan Bauldy and Mause
Print made by David Allan, 1744–1796
Bauldy and Mause
1808
David Allan Glaud and Symon
Print made by David Allan, 1744–1796
Glaud and Symon
1808
David Allan Sir William Worthy's Blessing
Print made by David Allan, 1744–1796
Sir William Worthy's Blessing
1808
Robert Havell Crofton
Robert Havell, 1769–1832
Crofton
1813
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
David Allan Peggy Advocates a Sweetheart
Print made by David Allan, 1744–1796
Peggy Advocates a Sweetheart
1808
David Allan Alan Ramsay Scotus
Print made by David Allan, 1744–1796
Alan Ramsay Scotus
1808
David Allan Sir William Worthy and Patie
Print made by David Allan, 1744–1796
Sir William Worthy and Patie
1808
William Strang The Sieve Mender
Print made by William Strang, 1859–1921
The Sieve Mender
1884
Richard Gilson Reeve The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze
Richard Gilson Reeve, 1803–1889
The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze
1839
unknown artist Glen Crowe, Western Highlands, Scotland
after unknown artist
Glen Crowe, Western Highlands, Scotland
1811
Richard Gilson Reeve The Great Western leaving Bristol for New York
Richard Gilson Reeve, 1803–1889
The Great Western leaving Bristol for New York
1840
Richard Gilson Reeve View of the Port of Liverpool
Richard Gilson Reeve, 1803–1889
View of the Port of Liverpool
1836
J. Hill A Frigate in a Calm
J. Hill, active 19th century
A Frigate in a Calm
1811
J. Hill A Seventy-four in a Fresh Gale
J. Hill, active 19th century
A Seventy-four in a Fresh Gale
1811