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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
5
Creator
Girtin, Thomas, 1775–1802
5
Harraden, Richard Banks, 1778–1862
2
Lewis, Frederick Christian the Elder, 1779–1856
2
Girtin, James, ca. 1780–after 1820
1
Harraden, James, active 1801–1814
1
Date
1803
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5
1850
4
1802
2
1814
2
1792
1
1808
1
1824
1
1911
1
1918
1
On-site Access
Accessible by appointment in the Study Room
5
Image Use
Free to Use
5
Image Available
Available
5
Classification
Prints
5
Creator Gender
male
5
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
3
Period
19th century
5
Materials & Techniques
aquatint
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5
etching (printing process)
3
wove paper
2
hand coloring
1
soft-ground etching
1
watercolor
1
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Work Type
intaglio print
5
Genre
architectural subject
5
cityscape
4
landscape
1
Subject Terms
architectural subject
5
bridge (built work)
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5
river
5
cityscape
4
boats
1
buildings
1
cottages
1
houses
1
landscape
1
water mill
1
Associated Places
Charenton-le-Pont
5
Europe
5
France
5
Marne
5
Pont de Charenton-le-Pont
5
Val-de-Marne
5
Île-de-France
5
Paris
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
5
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Materials & Techniques
aquatint
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Date
1803
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Subject Terms
bridge (built work)
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1
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
2
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
3
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
4
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
5
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803