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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
18
Creator
Cozens, John Robert, 1752–1797
14
Dodd, Robert, 1748–1816
2
Pollard, Robert, 1755–1838
2
Dayes, Edward, 1763–1804
1
Green, Valentine, 1739–1813
1
Mason, William Rev., 1724–1797
1
Northcote, James, 1746–1831
1
Thew, Robert, 1758–1802
1
Date
1795
29
1800
24
1789
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18
1794
12
1792
10
1793
9
1796
9
1797
9
1790
8
1785
7
1799
7
1776
5
1791
5
1798
5
1782
4
1787
4
1771
2
1780
2
1781
2
1784
2
1786
2
1735
1
1754
1
1761
1
1775
1
1779
1
1803
1
On-site Access
Accessible by appointment in the Study Room
18
Image Use
Free to Use
18
Image Available
Unavailable
10
Available
8
Classification
Prints
18
Creator Gender
male
18
Collective Title
Studies of Trees
14
Period
18th century
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18
Materials & Techniques
aquatint
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18
soft-ground etching
14
wove paper
14
laid paper
4
etching (printing process)
3
brown ink
1
line engraving
1
stipple engraving
1
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51
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75
Work Type
intaglio print
17
Genre
landscape
14
cityscape
3
architectural subject
2
genre subject
2
literary theme
1
marine art
1
Subject Terms
children
2
clouds
2
landscape
2
mountains
2
trees
2
Richard III, play by William Shakespeare
1
apron
1
architectural subject
1
armor
1
barrels
1
beggar
1
boy
1
breeches (trousers)
1
brothers
1
buildings
1
bushes
1
carriage
1
carrying
1
cart
1
cityscape
1
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Associated Places
Bloomsbury
1
Camden
1
England
1
Greater London
1
Queen Square
1
United Kingdom
1
Associated People
Charlotte (1744–1818), queen of the United Kingdom of Great Britain and Ireland, and queen of Hanover, consort of George III
1
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Credit Line
Yale Center for British Art, Paul Mellon Fund
15
Yale Center for British Art, Paul Mellon Collection
3
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Materials & Techniques
aquatint
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Date
1789
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Period
18th century
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Masonry
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1
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
2
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
3
Robert Pollard, 1755–1838
View of Grosvenor Square
1789
4
Print made by John Robert Cozens, 1752–1797
Palm
1789
5
John Robert Cozens, 1752–1797
Elm
1789
6
Print made by John Robert Cozens, 1752–1797
Spruce Fir
1789
7
Print made by John Robert Cozens, 1752–1797
Oak
1789
8
Print made by John Robert Cozens, 1752–1797
Willow
1789
9
Print made by Valentine Green, 1739–1813
Scene in a Country Town at Time of a Race
1789
10
Print made by John Robert Cozens, 1752–1797
Weeping Willows
1789
11
Print made by John Robert Cozens, 1752–1797
Birch
1789
12
Print made by John Robert Cozens, 1752–1797
Aspin
1789
13
Print made by John Robert Cozens, 1752–1797
Cedar
1789
14
Print made by John Robert Cozens, 1752–1797
Italian Pine and Cypress
1789
15
Print made by John Robert Cozens, 1752–1797
Hawthorn
1789
16
Print made by John Robert Cozens, 1752–1797
Beech
1789
17
Print made by John Robert Cozens, 1752–1797
Poplar
1789
18
Print made by John Robert Cozens, 1752–1797
Horse Chestnut
1789