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Materials & Techniques albumen process

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Period 19th century

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Subject Terms cart

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Gypsy Camp in the Highlands
Creator:
G. W. Wilson, 1823–1893
Date:
ca. 1880
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/2 × 11 1/4 inches (19.1 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Alexandra Park, with Two Horse Carts and Workers
Creator:
unknown artist
Date:
ca. 1862
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 3/8 × 11 1/4 inches (21.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs
Scene with Cart
Creator:
Frank Meadow Sutcliffe, 1853–1941
Date:
1871
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

4. A Study

A Study
Creator:
Frank Meadow Sutcliffe, 1853–1941
Date:
1871
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 1/4 × 4 inches (13.3 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
View of Oakfield, Hornsey
Creator:
George Shadbolt, 1830–1901
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 × 8 1/4 inches (17.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Hut and Cart
Creator:
John Golden Short, born ca. 1832
Date:
1870s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 × 8 inches (15.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro